Contents • • • • • • • • • • • • • • • • History [ ] The earliest music in Bengal was influenced by chants, and evolved under the influence of poetry such as the 13th-century by, whose work continues to be sung in many eastern temples. The Middle Ages saw a mixture of Hindu and Islamic trends when the musical tradition was formalized under the patronage of and the powerful landlords. Much of the early canon is devotional, as in the Hindu devotional songs of a who captures the Bengali ethos in his poetic, rustic, and ecstatic vision of the Hindu goddess of time and destruction in her motherly incarnation, Ma. Another writer of the time was Vidyapati. Notable in this devotional poetry is an earthiness that does not distinguish between love in its carnal and devotional forms; some see connections between this and, which originated sometime in the middle of the first millennium. Forms [ ] Bishnupur Gharana [ ]. Main article: The (meaning 'divinely inspired insanity') are a group of mystic minstrels (Muslim Sufis and Hindu Baishnos) from the Bengal region, who sang primarily in the 17th and 18th centuries.

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They are thought to have been influenced greatly by the Hindu tantric sect of the as well as by Muslim philosophers. Download facebook for nokia x2. Bauls traveled and sang in search of the internal ideal, ( Man of the Heart or the inner being), and described 'superfluous' differences between religions., alternatively known as Lalon Shah, who lived in the 19th century in and around, is considered to be the greatest of all bauls. Rabindra Sangeet [ ]. Main article: The greatest personality in Bengali music is, without a doubt, none other than (known in Bengali as Robi Thakur and Gurudeb, the latter meaning 'Respected Teacher' (in the Bengal of that time, the suffix 'deb' was an honorific, ascribed to people who enjoyed immense respect, but this title was primarily used by his students at Santiniketan, though many others did use the address ). Tagore was a prolific composer with around 2,230 songs to his credit.

His songs are known as ('Tagore Song'), which merges fluidly into his literature, most of which—poems or parts of novels, stories, or plays alike—were lyricised. Influenced by the style of, they ran the entire gamut of human emotion, ranging from his early dirge-like Brahmo devotional hymns to quasi-erotic compositions. They emulated the tonal colour of classical to varying extents. Some songs mimicked a given raga's melody and rhythm faithfully; others newly blended elements of different ragas. Yet about nine-tenths of his work was not bhanga gaan, the body of tunes revamped with 'fresh value' from select Western, Hindustani, Bengali folk and other regional flavours 'external' to Tagore's own ancestral culture. His music is an exemplary instance of 'kavya-geeti', a style of composition that later found widespread use in the music industries at Bombay and Calcutta. In 1971, became the national anthem of.

It was written — ironically — to protest the along communal lines: cutting off the Muslim-majority East Bengal from Hindu-dominated West Bengal was to avert a regional bloodbath. Tagore saw the partition as a cunning plan to stop the, and he aimed to rekindle Bengali unity and tar communalism. Was written in, a Sanskritised form of Bengali, and is the first of five stanzas of the Brahmo hymn that Tagore composed. It was first sung in 1911 at a Calcutta session of the and was adopted in 1950 by the Constituent Assembly of the Republic of India as its national anthem. For Bengalis, the songs' appeal, stemming from the combination of emotive strength and beauty described as surpassing even Tagore's poetry, was such that the Modern Review observed that '[t]here is in Bengal no cultured home where Rabindranath's songs are not sung or at least attempted to be sung. Even illiterate villagers sing his songs'. Tagore influenced sitar maestro and Buddhadev Dasgupta.

Most of his musical poems are detailed in two series of books – the (that only has the texts of the poems) and the Swarabitan (that has the poems and their musical notation). Excel 2010 vba serial port communication. However, there exist several poems of his that are set to music, and yet find no mention in either of the above.