Liturgical Music Liturgical Music LITURGICAL MUSIC TRADITION OF THE MALANKARA ORTHODOX SYRIAN CHURCH The Malankara Orthodox Syrian Church is proud of its worshipping heritage. It is through the worship that the faith, tradition, and practice of our fathers are passed down through the generations. The West Syrian form of worship, language, and music was introduced to the Church in the latter half of the nineteenth century, and we continue to practice this tradition in our Church today. Until 1875, viz up to.the arrival of the Patriarch of Antioch, H.H.PeterIII, the Malankara Church was practicing the East Syrian language and music. Unscientific method of singing has altered Syriac Music from its original form. Liturgical Music that was passed down through the generations was not through musical notations but through oral traditions. Many Malpans (Teachers) introduced their own style of singing through their teachings, further increasing the number of variations.

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In addition to this, the influence of local music and mode of singing has transformed Syriac Music into a different form. Religions are the treasure houses of music.

All Churches have their own liturgy, faith and music. There is not a “Said Liturgy” that exists. Sony vegas pro 11 serial key generator and crack download.

The Malankara Orthodox Church also has the traditional form of faith and mode of worship. Even though this is an Indian Church which upholds the tradition of Apostle St.Thomas, it is known as the Orthodox Syrian Church. This is due to the influence of the language and liturgy used by the Antiochene Syrian Orthodox Church. Importance of the use of Syriac Liturgy and Music Syriac is considered as one of the most important and enduring among ancient languages. It is well known for its style of presentation, mode of construction as well as its musical tradition. ‘Syriac’ is the official language of Syrian Christians in India.

Why do the Indian Syrian Christians still preserve it? It is basically because of the solemnity of Syriac music, the nobility of its contents and vitality of its elements (Bhakti) in worship. Writings of the Syrian Fathers are considered as the basis of the theology and worship of the Church. Syriac or the renamed name of Aramaic language could contribute much to Christian literature since the second century A.D. Ancient writers like Bardaisan and Shemvoon Bar Saboe in the 2nd and 3rd centuries are not accepted in the Indian churches. But 4th century is considered as the golden period of the Christian Church, both in faith and theology, liturgy and music. In the 4th century, fathers like St.

Ephraim,Jacob of Serog, Mar Baalai of Alleppo,Shemvoon Kookkoyo(Saimon the Potter),Severios of Antioch,Aphrahat and Narzai etc. Are considered as the pioneers of Syriac literature and poetry. Their writings are focused on three dimensions.

They are:- •. Spiritual dimension.

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Major part of the writings of the fathers were aimed for propagation of faith, prayer, meditation and corporate worship. Many of the homilies and Bovoothos are enriched in its contents for meditation which leads to edification.

Syriac Language Syriac is the language which is the renamed form of Aramaic language, i.e. The language of Our Lord Jesus Christ. Since the 2nd century A.D., the language became the central part of the Christian Church. As a spoken language it is the mother tongue of Persia (East) and of Palestine (West).Thus it was later identified as Eastern and Western Syriac.